Rafael H. Howell-Flores, Violist & Violinist

As an active violist and violinist Rafael plays in numerous orchestras and chamber ensembles, including the Northwest Symphony, Rainier Symphony and Seattle Metropolitan Chamber Orchestra. Rafael also works as a Teaching Artist for Seattle Symphony and Arts Corps, offering different music programs throughout the Puget Sound area. Rafael is a violin coach for the Cadet group at Bellevue Youth Symphony Orchestra and he is a string clinician with the Auburn School District. He has worked with all age levels, including preschool, elementary school, junior high, high school and adult.

Rafael started his musical studies at Conservatorio de Castella in his native country, Costa Rica. There he earned his high school diploma and an honorable mention in violin performance. As he began his college years, he started teaching Suzuki-based lessons at three music schools in the Costa Rican countryside. After earning a degree in Horticulture from Universidad de Costa Rica in 2000, Rafael then switch to playing viola, studying at the Instituto Nacional de Música and later playing with the Costa Rica National Symphony in 2001. In 2002 he won the Monroe Scholarship at Loyola University New Orleans to study violin and viola. In 2005 due to hurricane Katrina he relocated to Albuquerque, New Mexico where he concluded his undergraduate viola performance degree and then earned his Masters in Music Performance at University of New Mexico. In Albuquerque he was the violin teacher for the El Sistema-based Young Musician Initiative (YMI), conducting group violin lessons for elementary school students. Also, he served as orchestra clinician for middle and high school orchestras and coached string chamber music groups throughout the state. Prior to arrival in the Seattle area, Rafael played with The World Orchestra, New Mexico Philharmonic, Santa Fe Symphony, San Juan Symphony, Ensamble Tarrazú and The World Orchestra Soloists.

In his free time, Rafael enjoys spending time with his wife and son, and his puppy and two cats. He also enjoys gardening, traveling and learning to play the harp.

Caroline Faflak, Violin & Piano

Caroline’s teaching philosophy combines her background in music, from her first piano lessons from her mother to her most current studies, including Russian, French, Italian, and Belgian violin playing styles. For beginners of any instrument, she believes in setting a foundation with proper and comfortable posture, a solid technique, and a well-rounded music theory and ear training base. At all ages, it is crucial to cultivate an ear for beautiful sound, allowing the student to express themselves musically and to fine tune technique and performance comfort. Her goal is to explore interesting and varied repertoire, learn how to practice and achieve musical goals, develop a lifelong appreciation for the art of the instrument, and above all, to enjoy making music.

Caroline’s practical approach for piano includes the Piano Adventure series for beginners for theory and technique, supplemented by music from the Royal Academy of Music, as well as scales, arpeggios, and her own collection of repertoire. For violin beginners, she uses repertoire from Barbara Barber, Suzuki, George Perlman, as well as scales and exercises tailored to the needs of each student. She is an advocate of the ABRSM (Associated Board of the Royal School of Music) program, which combines repertoire, scales, music theory, sightreading, and ear training in a comprehensive examination process.

Caroline has degrees from the University of Nebraska-Lincoln and the Royal Academy of Arts in Gent (Belgium) and has studied abroad at the Academy of Performing Arts in Prague (Czech Republic). She plays with several orchestras in the Seattle area, including the Yakima Symphony orchestra, Pacifica Chamber orchestra, and is the concertmaster of the Sammamish Symphony Orchestra. She also likes skiing and mountain biking in the great Pacific Northwest outdoors.

Helena Krimsky Violin

Helena Krimsky was born and raised in Finland and started studying music and violin at age six winning her first competition at age eight. At eleven she appeared with Kauhajoki String Orchestra and the following year toured Hungary soloing with them during their two week visit to Europe. Her subsequent appearances included competitions, recitals, concert tours, musical events and festivals. Her teachers include Mariann Hercegh, Zinaida Gilels, Pertti Sutinen, Ann Elliot-Goldschmid, Denes Zsigmondy, and Burkhart Godhoff.

In 1995 Helena moved to the US where she has been performing in the Northwest and beyond. She has been soloing with local orchestras and completed a concert tour to Alaska in February 2001 which included teaching master classes at the University of Alaska Anchorage. She has been involved in community outreach projects bringing music to less privileged youth. In August 2008 she performed at the celebration of the 100th anniversary of the Moore Theater as a tribute to Jascha Heifetz. Helena is frequently contracted to record movie soundtracks and music for videogames and has performed with groups such as Queensryche and Bridgeport Saints. She has also released two CDs; Praeludium in 1999 and Legends in 2001. Helena has been a performing member of the Ladies Musical Club since 2000.

Presently, Helena teaches private violin lessons in the Seattle - Eastside area.

Rachael Pearson, Violin

Rachael began teaching at the University of Michigan, Ann Arbor, where she earned her Master of Music degree as Teaching Assistant to Paul Kantor, one of the world’s most respected pedagogues. She earned her B.M. at Rice University’s Shepherd School of Music with a Full Fellowship under the tutelage of Kathleen Winkler.

After her solo orchestral debut at the age of 12, Rachael won many competitions including Ladies Musical Club of Seattle, and was a National Finalist at the MTNA Senior Competition. Awarded a Fellowship to the Aspen Music Festival, Rachael went on to study under and perform with many luminaries of the classical world. She is currently Associate Concertmaster of the North Corner Chamber Orchestra and performs regularly with the Seattle Symphony, Seattle Opera, and the Pacific Northwest Ballet Orchestra. She also enjoys recording movie music, participating in several local Chamber Series, and of course maintaining a private teaching studio.

Rachael believes in a fun and joyful approach to music which goes beyond foundational technique to the development of a beautiful sense of musicality and a warm, rich tone. She teaches an integrated Suzuki method influenced by Dorothy Delay and Sally O’Reilly and tailored to her students’ needs.

Rick Neff, Violin & Viola

Originally from Atlanta, I began playing the viola through my local public school program and went on to earn degrees from Georgia State University and Northwestern University, where I studied with Tania Maxwell Clements and Roland Vamos. I’ve performed with many ensembles over the years and can regularly be seen performing with the Seattle Symphony, Seattle Opera, Pacific Northwest Ballet, and the Bellingham Festival of Music. Much of my teaching philosophy is influenced by Roland Vamos, Simon Fischer, Mimi Zweig, and Ivan Galamian.

I believe the most important ingredient in learning any instrument is fostering a genuine joy for music. The road to mastery is slow and at times frustrating, and an abiding love for the art form can provide the will to push on when others can’t. While I tailor specific approaches and cues to each individual, I like to progress through technique slowly and thoroughly, with an emphasis on listening, posture, and effective practice methods. After studying with me, I hope the student has found in themselves an artist with a lifelong love for music, a sensitive ear, solid and relaxed technique, and the ability to diagnose, analyze, and overcome problems. I enjoy working with students of all ages and abilities, from complete beginners to musicians preparing for conservatory auditions.

Eugene Bazhanov, Violinist

I was born and raised in Russia, where I received most of my musical training in the great tradition of Russian violin school, with its trademark emphasis on solid technique and deep musical expression. I studied at the music college and conservatory in the city of Ekaterinburg, and continued my training in the United States under the guidance of some of the best players and teachers.Since relocating to the United States more than twenty years ago, I have been playing in professional symphony orchestras, including The Florida Orchestra, The Naples Philharmonic, and the Grand Teton Music Festival Orchestra, sharing the stage with artists as diverse as Itzhak Perlman, Pinchas Zukerman, Bobby McFerrin and Herbie Hancock.

I frequently perform with the Seattle Symphony Orchestra, Seattle Opera Orchestra, Pacific Northwest Ballet Orchestra, Fifth Avenue Theater Orchestra, Teatro ZinZanni Band, and other ensembles. In addition to classical, I also enjoy playing many other different kinds of music – jazz, tango, klezmer and more, on acoustic or electric violin. I've been a violin and viola teacher for as long as I've been playing professionally.

I offer private violin and viola lessons for all ages and skill levels, from beginning to advanced students. I am happy to share my knowledge and joy of music making with anyone who would like to learn, whether you are five or eighty-five. In my teaching I give students a solid technical foundation essential for success, while not forgetting to focus on the sheer joy of playing music, which is the reason for taking music lessons in the first place.One of the main characteristics of my teaching is versatility and flexibility. I am prepared to meet the student on whatever path he or she wishes to take, and guide him/her through it.

All of my lessons are:
• Custom tailored to each student’s needs, goals and abilities, to ensure the quickest progress.
• Aimed at developing strong technique, musicality, performance skills, as well as give a general understanding of music theory and music history.
• Conducted in a relaxed, supportive and positive environment, maintaining the right balance between rigorous practicing and pure fun, enjoyment and excitement of music.

Students also might like to enhance their studies with:
• Performance opportunities
• Playing in ensembles
• Basic piano skills
• Improvising skills

Marcus Talley, Violinist

Marcus Talley has been an active music educator in the Seattle area since 2006. He joined Seattle University as adjunct faculty in 2010 and teaches courses in string pedagogy, string performance, and chamber music in addition to teaching violin. Outside his work at SU, he maintains a large and successful private studio in Issaquah, is a violin coach and coach coordinator for the Everett Youth Symphony Orchestras, and works with string programs in the Northshore school district. Dr. Talley has worked for the Seattle Conservatory of Music as the director of the Eastside chamber music program, a chamber music coach for the Westside program, and as teacher of the college/performance preparation class. He works as a clinician and adjudicator and has held teaching positions at Interlochen Arts Camp, Seminar Music Camp, and the Suzuki Institute of Seattle.

Dr. Talley holds a Doctor of Musical Arts (DMA) in violin performance from Michigan State University, a Masters (MM) in violin performance from Western Michigan University and a Bachelors (BM) in violin performance from Western Washington University. His principal teachers include Charles Avsharian, Renata Knific, David Updegraff, Walter Schwede, and Celia Weiss-Nicks.

Jenny McCrorey, Violinist (Suzuki)

Jennifer Fedie McCrorey began violin lessons at age 4 as part of the Suzuki Talent Education program in Eau Claire, WI. This was her inspiration to study music and become a teacher herself. She holds a Bachelor's degree in Violin Performance with honors from the University of Wisconsin at Madison where she studied violin with Vartan Manoogian, and a Master’s degree in Violin Pedagogy from the University of Texas at Austin where her violin teacher was Eugene Gratovitch. Jennifer was a teacher at the acclaimed Texas String Project under Anne C. Witt where she worked with students of all levels in private and group lessons.

Jennifer's teaching and performing career began in Dallas, TX where she performed with several area orchestras including The Chamber Symphony of the Metrocrest, Plano Chamber Orchestra and Richardson Symphony. She taught violin lessons in her own home studio as well as in the Carrolton-Farmer's Branch and Lewisville school districts.

From 1999-2005 Jennifer and her husband lived in Madrid, Spain where she was a member of the Orquesta Filarmonia de Espana and was co-founder of the International Violin School of Madrid, a Suzuki violin program made up of Spanish and expatriate students from all over the world. Jennifer has also lived outside of London, England where she maintained a violin studio and performed with the Surrey Mozart Players and the Baroque ensemble, The Cannons Scholars. In 2008, she and her husband settled in Issaquah where they are raising their two young boys.

Jennifer is a member of the Suzuki Association of the Americas and the American String Teachers Association. She has attended numerous workshops in Europe and the U.S. covering all aspects of Suzuki and traditional violin pedagogy, as well as historical interpretation and performance.

Jennifer is associated with Issaquah Suzuki Strings.

Andrea Talley, Violinist (Suzuki)

Andrea began playing the violin in the public school system at age nine and hasn’t stopped since. She holds a B.M. from Western Michigan University, and a M.M. from Michigan State University, both in violin performance. In grad-school, Andrea was an active member of the Community Music School at Michigan State University, a Suzuki school servicing the greater Lansing area. A registered Suzuki violin teacher, Andrea has completed training seminars with Judy Weight Bossuat, Christie Felsing, Martha Shackford, and Ed Sprunger. Andrea has taught as part of the Foothills Suzuki Institute, and most recently, helped to co-create Issaquah Suzuki Strings in 2014 where she currently teaches. She instructs over 40 young violin students, both private and group lessons, and helps to run Camp Tierra, an annual Suzuki Strings summer camp held at the Tierra Learning Center in Leavenworth, WA. Besides studio teaching, Andrea gets a kick out of conducting student orchestras. She spent 4 years with the Everett Youth Symphony organization as the director of the Prelude String orchestra, and is currently conducting the Overture String group with the Cascade Youth Symphony Organization. Previously, Andrea has worked as a strings specialist for the Northshore, Edmonds, and Mukilteo School districts, and as a clinician for regional solo and ensemble competitions. She was the primary teacher/developer of a Suzuki strings program for the La Conner School District, and directed the violin program at Immaculate Conception Regional School in Mt. Vernon. As a performer, Andrea has played with the Juneau Symphony, Federal Way Symphony, Bellevue Philharmonic, Skagit Opera Orchestra, and the Lake Washington Symphony. She is also a member of NOCCO, a conductor-less chamber orchestra performing in the Seattle area. Andrea is the President of the Suzuki Association of Washington State, and a member of the Suzuki Association of America and the American String Teachers Association. When not performing, teaching, or conducting, Andrea enjoys traveling, and hiking the next section of the PCT with her violinist-husband Marcus.

Shelley Weiss, Violin & Viola

Shelley Weiss is a violinist, violist and fiddler who recently moved to Seattle from Philadelphia. She holds degrees (in viola performance) from the Cleveland Institute of Music and Rutgers University, and also spent two years studying viola at the Hochschule für Musik in Vienna, Austria. She has 17 years private teaching experience and enjoys playing and teaching music of all styles.

Rick Neff, Violin & Viola

Originally from Atlanta, I began playing the viola through my local public school program and went on to earn degrees from Georgia State University and Northwestern University, where I studied with Tania Maxwell Clements and Roland Vamos. I’ve performed with many ensembles over the years and can regularly be seen performing with the Seattle Symphony, Seattle Opera, Pacific Northwest Ballet, and the Bellingham Festival of Music. Much of my teaching philosophy is influenced by Roland Vamos, Simon Fischer, Mimi Zweig, and Ivan Galamian.

I believe the most important ingredient in learning any instrument is fostering a genuine joy for music. The road to mastery is slow and at times frustrating, and an abiding love for the art form can provide the will to push on when others can’t. While I tailor specific approaches and cues to each individual, I like to progress through technique slowly and thoroughly, with an emphasis on listening, posture, and effective practice methods. After studying with me, I hope the student has found in themselves an artist with a lifelong love for music, a sensitive ear, solid and relaxed technique, and the ability to diagnose, analyze, and overcome problems. I enjoy working with students of all ages and abilities, from complete beginners to musicians preparing for conservatory auditions.

Rafael H. Howell-Flores, Violist & Violinist

As an active violist and violinist Rafael plays in numerous orchestras and chamber ensembles, including the Northwest Symphony, Rainier Symphony and Seattle Metropolitan Chamber Orchestra. Rafael also works as a Teaching Artist for Seattle Symphony and Arts Corps, offering different music programs throughout the Puget Sound area. Rafael is a violin coach for the Cadet group at Bellevue Youth Symphony Orchestra and he is a string clinician with the Auburn School District. He has worked with all age levels, including preschool, elementary school, junior high, high school and adult.

Rafael started his musical studies at Conservatorio de Castella in his native country, Costa Rica. There he earned his high school diploma and an honorable mention in violin performance. As he began his college years, he started teaching Suzuki-based lessons at three music schools in the Costa Rican countryside. After earning a degree in Horticulture from Universidad de Costa Rica in 2000, Rafael then switch to playing viola, studying at the Instituto Nacional de Música and later playing with the Costa Rica National Symphony in 2001. In 2002 he won the Monroe Scholarship at Loyola University New Orleans to study violin and viola. In 2005 due to hurricane Katrina he relocated to Albuquerque, New Mexico where he concluded his undergraduate viola performance degree and then earned his Masters in Music Performance at University of New Mexico. In Albuquerque he was the violin teacher for the El Sistema-based Young Musician Initiative (YMI), conducting group violin lessons for elementary school students. Also, he served as orchestra clinician for middle and high school orchestras and coached string chamber music groups throughout the state. Prior to arrival in the Seattle area, Rafael played with The World Orchestra, New Mexico Philharmonic, Santa Fe Symphony, San Juan Symphony, Ensamble Tarrazú and The World Orchestra Soloists.

In his free time, Rafael enjoys spending time with his wife and son, and his puppy and two cats. He also enjoys gardening, traveling and learning to play the harp.

Shelley Weiss, Violin & Viola

Shelley Weiss is a violinist, violist and fiddler who recently moved to Seattle from Philadelphia. She holds degrees (in viola performance) from the Cleveland Institute of Music and Rutgers University, and also spent two years studying viola at the Hochschule für Musik in Vienna, Austria. She has 17 years private teaching experience and enjoys playing and teaching music of all styles.

Sophie Robinson, Violist

Sophie began studying the viola at 9 years of age and was heavily involved with the Tacoma Youth Symphony Association throughout her junior-high school career. Her private teachers include Trevor Wadleigh- violist of the critically acclaimed String Quartet 'Well-Strung', Kim Roy- Conductor of the Seattle Rock Orchestra and Maria Bokor- violist of the Symphony Tacoma.

She graduated from Pacific Lutheran University with a Bachelor's in Viola Performance, studying with Betty Agent, co-principal of the Pacific Northwest Ballet and Auburn Symphony Orchestra.

Sophie won concerto competitions in both her Senior years of high school and University. She was a winner of the 2019 PLU Concerto Competition, awarding her the privilege of performing as a featured soloist with the Pacific Lutheran University Symphony Orchestra.

A particular highlight of Sophie’s playing thus far is having the opportunity to study with and perform for highly regarded music professionals in the greater Tacoma-Seattle area such as Maestro Gerard Schwarz, Dr. Svend-Ronning, Joyce Ramee, Dr. Jeffrey Bell-Hanson, Thane Lewis and more. She also enjoyed attending intensive summer music festivals every year such as Seattle Youth Symphony's 'Marrowstone Music Festival' under the direction of Conductor Stephen Rogers Radcliffe, the 'Vancouver Symphony Orchestra Institute' under the tutelage of Maestro Bramwell Tovey, and more.

Sophie is passionate about sharing her love of music and teaching people how to build their musical communication, sensitivity and skills on their instruments. She believes everyone is capable of learning and participating in music, no matter their experience level, disability or age!

Gina Caulton, Viola

I began playing viola in 4th grade as part of my public school orchestra program. By 8th grade a private teacher took me on for classical viola, and a friendly group of self-taught musicians showed me the ropes of bluegrass violin. I strongly believe that a solid foundational technique is essential regardless what type of music a student wishes to play. My training includes degrees in viola performance and music education from the Oberlin Conservatory of Music and summers spent at the Aspen Music Festival, where I played under an Orchestral String Fellowship, and the Collegium Musicum in Pommersfelden, Germany. I've completed four levels of teacher certification through the Suzuki Association of the Americas and teach using a blend of Suzuki and traditional approaches, notably Paul Rolland and Mimi Zweig. In addition to WA state teacher certification, I am a licensed school psychologist and currently serve in this capacity in the Snoqualmie Valley School District. Prior to this position I served in the Issaquah School District as a school psychologist and elementary music specialist. When not practicing or working with students, you can find me parenting my three young adult children, playing with my two dogs, or hiking in the Cascade foothills.

Thank you for your interest in my studio!

Christie Chen, Cello

Christie Chen began her musical studies of piano at the age of 4, and cello at the age of 9. After graduating as the valedictorian of her class with a double major in cello and piano from the Manhattan School of Music Pre-College studying with Marion Feldman and Elena Billy, she continued her music education in cello and received her bachelor and master degree of music from The Juilliard School under the tutelage of Zara Nelsova “The Queen of the Cello”, legendary cellist Harvey Shapiro, and member of The Juilliard String Quartet Joel Krosnick. She was a doctoral candidate at the State University of New York, SUNY, studying with soloist Colin Carr. Christie has studied in master classes with Mstislav Rostropovich, Yo-Yo Ma, Janos Starker, and Anner Bylsma.

Cellist Christie Chen has appeared as soloist with renowned orchestras including the Manhattan Philharmonic of New York, Union Symphony and Summit Symphony of New Jersey. Christie has appeared in such venues as Lincoln Center’s Avery Fisher Hall, Alice Tully Hall, and Weill Recital Hall at Carnegie Hall. She was featured in the The McGraw-Hill Young Artists Showcase, which was broadcast nationwide on WQXR, the Radio station of the New York Times.

An active chamber musician, Christie has been invited to the prestigious Ravinia, Yellow Barn, Kneisel Hall music festivals, and guest principal cellist for the String Orchestra of New York. She has collaborated with the members of the Emerson String Quartet performing the Schubert’s Cello Quintet, as well as the Cleveland, Takacs and Avalon String Quartets, members of the New York Philharmonic, violinist Donald Weilerstein, pianist Leon Fleisher,and cellist David Finkel among others.

As an active musician and teacher in the Seattle area, Christie has been faculty at the Seattle Conservatory of Music, Seattle University, principal cellist for the Seattle Metropolitan Chamber Orchestra, has collaborated in chamber music concerts with the members of the Seattle Symphony, and has appeared in such venues as Benaroya Hall.

Kim Blanchard, Cello (Suzuki)

Kim has been teaching cello privately in the Seattle area since 2000 and has recently received pedagogy training in the Suzuki method studying under Barbara Wompner at the Seattle/Japan Suzuki Institute. She has been an intern and coach at Chamber Music Madness for several years under nationally recognized chamber music teacher Karen Iglitzen. Kim has been actively involved in the arts community of the Northwest for over a decade. She is a member of the Northwest Symphony Orchestra, Lyric Opera NW, and Bellevue Opera. She also performs as a freelance musician and is an active chamber music performer in the greater Seattle area. Kim moved to Seattle in 1996 after receiving her BFA from Alfred University in New York and went on to receive her Bachelors of Music in cello performance from Cornish College of the Arts in 2005 where she studied with Paige Stockley Lerner. Kim currently studies with Mr. Walter Gray of the Seattle Symphony.

While studying cello performance at Cornish, Kim discovered her interest in composition and was fortunate to study with Janice Giteck and Jarrad Powell. Kim finds ways to combine her visual art background with her music by collaborating with artists of various disciplines through performing and composing. Kims first project, Katrina, is based on a heroic young womans experiences through a mythic world. She combines spoken word and film along with various non-traditional combinations of instruments. The world premier of Quaking Aspens, from Katrina was performed by the Bainbridge Choral in May, 2005. Also in the spring of 2005 the Saint Helens String Quartet performed the first movement of String Quartet No. 1, I. Sunrise. In 2006 Kim composed the score for the short film, R.E.X. by her friend and collaborator W. Jack Strain. Most recently, Kim was commissioned by the Chautauqua Regional Youth Symphony to write a piece for their 20th Anniversary Gala Concert on May 18, 2007. This piece is scheduled to have its Northwest premier with the Northwest Symphony Orchestra in the fall of 2009.

Matt Hopper, Bass

Matt Hopper was born and raised in Indiana. He started playing electric bass at age 13, studying mostly rock while in high school. Matt played with a number of different bands in Central Indiana including rock, punk, and R & B bands. Picking up the double bass at age 21, Matt immediately joined a bluegrass band with which he played for over five years in Northern California.

In 1997, Matt began studying music formally at Humboldt State University. During the next four years, Matt studied bass with John Brecher and played in a number of ensembles including the Humboldt State Symphony, AM Jazz Big Band, PM Jazz Big Band, Jazz Combos, Vocal Jazz, Percussion Ensemble, and various chamber groups. Matt was principal of the bass section of the HSU Symphony from 2000-2002. He also tutored students in theory and ear training from 1999-2002, and taught at the Sequoia Music Workshop from 2000-2002.

Upon graduation, Matt moved to Durango, Colorado where he maintained a private teaching studio and played with the San Juan Symphony, Four Corners Chamber Orchestra, and freelanced with numerous jazz and rock bands. Matt performed with the Jeff Solon Quartet at the Telluride Jazz Festival in 2002 and 2003, as well as being a first call bass player for studio sessions including Jeff Solon, Jeff Sweet, Richard White, Ryan McCurdy, and two records with early country favorites The Brown Brothers.

Matt moved to Seattle in 2003, where he plays in numerous jazz groups including Motel 5, New Architects, Card Hopper Smith Trio, and PGM Trio. He also plays traditional Latin and Brazilian music in the Adam Hunter Band, and plays electric bass in The Beautiful Confusion. Matt is the principal bassist for the Seattle Rock Orchestra. He has also recorded with a number of local artists including Jean Mann, Wayne Horovitz, and The Beautiful Confusion. Matt has been teaching privately for over ten years and has worked at Hammond Ashley Violins for more than six years.

Ramon Salumbides, Bass

Ramon Salumbides began his studies of the double bass with Barry Lieberman, (former Assistant Principal of the Los Angeles Philharmonic and current Artist in Residence at the University of Washington), and would eventually attend UW for a Bachelor’s Degree in Double Bass Performance. In the summer of 2013, Ramon won the position of Section Bass for the Yakima Symphony Orchestra and has since then been granted tenure. In addition, he currently holds the position of Principal Bass for the Seattle Metropolitan Chamber Orchestra, Seattle Philharmonic String Orchestra, and the Pacifica Chamber Orchestra. In the past Ramon has also played for the Thalia Symphony Orchestra (Principal) and has subbed with the Seattle Symphony, Bremerton Symphony, Seattle Philharmonic Orchestra, and the Maui Pops Orchestra.

Ramon has served as double bass coach for the Bellevue Youth Symphony Orchestra, and various schools within the Bellevue, and Lake Washington School Districts since 2013. His current studio ranges in a wide variety ages (9-40), styles, and ability levels. Students have gone on to receive recognition within BYSO, All-State, and acceptance into collegiate music programs.

In his free time, Ramon enjoys hiking, mountain biking, snowboarding and whatever else the great outdoors of Washington has to offer. He also enjoys traveling, cooking, and is a huge Barcelona FC supporter. Ramon still plays is a number of bands and is an active member to the Seattle music scene. He currently lives in Renton WA, and spends the rest of his time with his family and friends.

Aaron Malver, Piano, Trumpet, & Music Theory

Aaron Malver began playing piano at two years old, guided by his father. He began formal study at five with Maria Rantapaa and Gena Levinson in Minnesota, and eventually Mary Ann Danenberg at the Oberlin Conservatory. After moving to Seattle, Mr. Malver studied and taught with Jinhwa Chon at the Seattle Piano Academy and earned a Bachelor of Arts degree in Music at the University of Washington under Patricia Michaelian.

Beginning at age ten, Mr. Malver also studied the trumpet. His primary instructors were David Bach and Ralph Schwarz, followed by Kenneth Davis (jazz) and Byron Pearson (classical) at the Oberlin Conservatory. He has also received instruction from Manny Laureano and Jon Faddis. He has performed and recorded as a soloist and ensemble member in classical, jazz, musical theater, pop and rock, salsa, and other styles.

Mr. Malver is the assistant editor of Perspectives of New Music, the leading academic and professional journal of contemporary music theory.

Mr. Malver opened the Studio in 2004 in Seattle’s Wallingford neighborhood, where he also continues to teach piano, trumpet, and music theory. He is a member of the Music Teachers National Association.

For scheduling, additional information, or any other questions, please call or text (206) 675-8681 or email piano@aaronmalverstudio.com. You are also invited to visit www.aaronmalverstudio.com, which answers many common questions.

Caroline Faflak, Violin & Piano

Caroline’s teaching philosophy combines her background in music, from her first piano lessons from her mother to her most current studies, including Russian, French, Italian, and Belgian violin playing styles. For beginners of any instrument, she believes in setting a foundation with proper and comfortable posture, a solid technique, and a well-rounded music theory and ear training base. At all ages, it is crucial to cultivate an ear for beautiful sound, allowing the student to express themselves musically and to fine tune technique and performance comfort. Her goal is to explore interesting and varied repertoire, learn how to practice and achieve musical goals, develop a lifelong appreciation for the art of the instrument, and above all, to enjoy making music.

Caroline’s practical approach for piano includes the Piano Adventure series for beginners for theory and technique, supplemented by music from the Royal Academy of Music, as well as scales, arpeggios, and her own collection of repertoire. For violin beginners, she uses repertoire from Barbara Barber, Suzuki, George Perlman, as well as scales and exercises tailored to the needs of each student. She is an advocate of the ABRSM (Associated Board of the Royal School of Music) program, which combines repertoire, scales, music theory, sightreading, and ear training in a comprehensive examination process.

Caroline has degrees from the University of Nebraska-Lincoln and the Royal Academy of Arts in Gent (Belgium) and has studied abroad at the Academy of Performing Arts in Prague (Czech Republic). She plays with several orchestras in the Seattle area, including the Yakima Symphony orchestra, Pacifica Chamber orchestra, and is the concertmaster of the Sammamish Symphony Orchestra. She also likes skiing and mountain biking in the great Pacific Northwest outdoors.